I only had three chapters to read last week in Out of the SilentPlanet. I should have listened closer or reread it in the print edition because the discussion covered things that hadn’t occurred to me. But that’s the fun of taking a class like this. Digging deeper and looking at the story from different perspectives.
Welcome back to Mythgard Academy Session 4 of Out of the Silent Planet
Announcements about regional Moots and MythMoot (four day annual event). This week we announced Verlyn Flieger will be joining MythMoot. New Book Arthurian Voices (book release party) and wrote a play called “The Bargain” inspired by Sir Gawain and the Green Knight (14th century poem). Corey might be the Green Knight.
New registration page (pretty bare bones right now). A custom system written for Signum University. Shifting away from an expensive third-party software. Don’t be alarmed.
Corey recaps and sums up from last week. Let’s see what happens when Ransom starts to encounter the other species.
I had hoped to publish this Thursday night, but the video for this week’s class has not yet been uploaded to Signum University’s Youtube channel. So I will hold off on publication until Friday evening or Saturday morning.
MootCast is being done again this year for MythMoot. Live access to any session you want to be in; you get recordings for everything; a wonderful way to participate and watch even if you can’t make it.
And I discovered a feature of GoToWebinar too late, at the end of the second session, that allows me to save the current slide as an image. Going forward, I’ll capture each slide so my notes make more sense to myself and others. Of course, I always include a link to the video of the session that’s published within a day or two by Signum University (see link above or click here).
Read: Chapters 6-10
Date: January 15, 2020
8:53 PM ~ Joined webinar, organizer has not arrived.
My notes from first session of Mythgard Academy webinar discussion on Out of the Silent Planet by C.S. Lewis.
I spent a couple of hours past my usual bedtime last Wednesday evening with Corey Olsen and three dozen new friends discussing the first five chapters of Out of the Silent Planet by C.S. Lewis. I’m proud of myself for making it to the end of the discussion, which ended at 11:15 p.m. I’ve probably read the first book of the Space Trilogy a half dozen times since I first discovered it in the 70s as a pre-teen. I’ve never had an opportunity to do a serious in-depth reading and discussion so I am very excited about the opportunity presented by Mythgard Academy and a generous donation of a patron thereof.
While I participated live in the GoToWebinar session, where I could interact with Corey Olsen via chat, you can watch to the session via the Signum University Youtube channel (link to the playlist) or listen via podcast. Old habits die hard; even knowing the session was being recorded, I took transcript-like notes (because I can still type over a hundred words per minute and can easily keep up with a single person lecturing).
What follows are my notes from Wednesday’s first webinar on Out of the Silent Planet.
Today would have been the 121st birthday of C.S. Lewis. A week ago today marked the 56th anniversary of his death, which was, at the time, overshadowed by the assassination of President Kennedy.
To celebrate his birthday, I decided to read the second essay found in the 1969 edition of Selected Literary Essays by C.S. Lewis, edited by Walter Hooper. Interestingly, the copy I checked out from the Kansas City Public Library may be a first edition. If not, it’s been in circulation for fifty years, as evidenced by date stamps through early 1996, after which, I assume, the Library moved from analog to digital (card catalog to barcodes):
I originally checked out this volume specifically to read the 21st essay entitled “Psycho-Analysis and Literary Criticism” which was referenced in a footnote in an essay I read recently in A Tolkien Compass. For today, though, I wanted to celebrate the friendship between C.S. Lewis and J.R.R. Tolkien, so I read, instead, the second essay entitled “The Alliterative Metre.”
The essay covers many of the rules governing alliterative verse, including these definitions:
The half-line consists of Lifts and Dips. Every half-line must contain neither more nor less than two Lifts.
A Lift is either (1) one syllable both long and accented (as the first syllable of ogre or mountain); or (b) two syllables whereof the first is short but accented, and the second unaccented (as the first two syllables of merrily, vigorous, melancholy, evident).
A Dip is any reasonable number of unaccented syllables whether long or short.
Despite my best efforts, I quickly got sidetracked by yet another footnote. It all began with a short example alliterative verse, composed (I’m assuming) by Lewis.
We were TALKing of DRAGONS, | TOLkien and I In a BERKshire BAR. | The BIG WORKman Who had SAT SILent | and SUCKED his PIPE ALL the EVEning, | from his EMPTy MUG With GLEAMing EYE | GLANCED toWARDS us; "I SEEN 'em mySELF', | he SAID FIERCEly
Note: Syllables printed above in capitals are Lifts, the rest are Dips.
The first and most distracting footnote followed the word ‘fiercely’ and read: