Over at Tor.com, Ilana Meyer offers up some great insights into writing characters of the female variety. Here’s some excerpts that resonated with me:
They should kick ass but have other talents; they shouldn’t necessarily kick ass because that’s been done to death; they should have agency; they should move the plot forward; they should be assertive but not obnoxious; they should hold positions of power; they shouldn’t be raped or die to give the hero incentive for his quest.
What I think is missing from some of these discussions is: writing a fully realized character of any gender requires one trait above all others, and that is empathy. When a female character goes off the rails, it is often because the author experienced a failure of imagination; while he could imagine all the emotions a man might feel in a similar situation—and Continue reading “Deconstructing Strong Female Characters”