A Floss Runs Through Maggie

I arrived early to the third of four lectures and discussions of Victorian literature hosted and promoted by the Kansas City Public LibraryKaite Mediatore Stover, the Readers’ Services Manager for the Library, was helping to setup the conference room for the lecture.  I took the opportunity to discuss with her the recent news articles about a possible change in the Library’s policy with respect to online card applications for patrons outside the Kansas City metro area.  The Library does not charge a fee to anyone who applies for a card and this has caused an unusually high volume of applications from the St. Louis area (where the local library system does charge for access to it’s system if a person lives outside it’s taxbase).  The result has been a flood of online checkouts of ebooks from the Library’s Overdrive site, leaving some local patrons with no recourse but the waiting list for popular ebooks.  I apologized for my earlier misunderstanding concerning the Kansas City earnings tax (a one percent income tax paid by anyone who works in Kansas City, Missouri, regardless of where you live – like me, who lives in Lansing, Kansas, yet works in KCMO).  I assumed, wrongly, that the earnings tax collected out of my paycheck trickled down to the Library and offset my access to the Library’s resources and programs.  The Director set me straight and reminded me that all libraries, including the wonderful Kansas City Public Library, accept donations and in fact, receive between five and ten percents of their  total budget through charitable giving.  Properly chastised, I went searching for information to help support the Library and found the Library Foundation web page, where I can donate conveniently online.

Table of Contents

Biographical Background (p. 2)
Setting and Literary Background(p. 3)
Discussion Questions (p. 4)

I didn’t get a chance to ask Kaite about her thoughts on the Librarian Boycott of HarperCollins, because our lecturer arrived, as well as Melissa Carle, the Weekend supervisor at the Plaza branch, and other readers began to join us in the conference room overlooking Brookside and Brush Creek.  This unique reading program, A Taste of Victorian Literature, was first offered at the Waldo branch last summer, but returned this Spring to the Plaza branch, albeit in reverse order.   So, I’ve finally caught up with the program, since I read D.H. Lawrence’s The Rainbow in July and attended the inaugural lecture, presentation, discussion led by Andrea Broomfield, associate professor of English at Johnson County Community College, and which included authentic Victorian era refreshments.  But that was then, and this is now, so I spent most of April reading George Eliot’s The Mill on the Floss, taking my time to absorb and appreciate the nuances and subtleties of her third novel.

Book Review: Silverthorn by Feist

Silverthorn (The Riftwar Saga, #3)Silverthorn by Raymond E. Feist

My rating: 4 of 5 stars

(To view spoilers, please highlight this redacted text.)

With the closing of the rift at the end of Magician, I wondered where Raymond Feist would take me in Silverthorn, the next novel in the Riftwar Saga series. The three brothers (Arutha, Lyam and Martin) spent a year touring the Kingdom and returned to Krondor to plan Arutha and Anita’s wedding. Jimmy the Hand, a young full-of-himself thief and rising star in the Mockers, foiled an assassination attempt upon Prince Arutha. Because Jimmy aided both Anita and Arutha in escaping Krondor during the Riftwar, he chose to warn Arutha before reporting to the Mockers, and for his divided loyalty he was branded a traitor by his Guild. Arutha haggled with the Upright Man, the leader of the Mockers and, unknown to Jimmy, his father. Arutha agrees to make Jimmy his Squire and the Mockers agree to hunt for the Night Hawk assassins. With the Mockers’ assistance, Arutha invades the Night Hawks’ hideout in Krondor, but what should have been a rout, instead turns into a zombie apocalypse melee until Jimmy burns the place down around them.

Thinking the threats to his life abated, Arutha and Anita proceed with their wedding. Jimmy gets a bad feeling and restlessly searches the upper galleries of the hall, stumbling upon a former high-ranking Mocker now turned assassin. Despite being knocked senseless, gagged and restrained, Jimmy manages to divert the assassin’s shot, which misses Arutha but strikes his bride-to-be Anita. Even the great Pug can’t cure Anita, so he places a spell upon her that slows time down to a barely perceptible crawl, allowing Arutha time to find an antidote for the poison. An interrogation session with the assassin reveals the name of the poison (and also the antidote) to be ‘silverthorn’ but no one on hand in Krondor has ever heard of it.

Thus, a quest is begun. Pug returns to Stardock to search Macros’ library and eventually discovers a way to return to Kelewan, where an even more comprehensive library exists founded by the Tsurani Assembly of Great Ones. Predictably, Pug is detained as a result of his last acts at the Imperial Games before closing the rift. Meanwhile, Arutha and a small party, including Jimmy, head to the Kingdom’s own repository of knowledge at Sarth.

Eventually, knowledge of the silverthorn is gleaned and Arutha’s party seeks it through elven territory in the west and the far northern reaches of Midkemia. Pug extricates himself from detention and goes on his own quest for the Watchers, also in the far northern reaches, but on Kelewan. Both storylines include action, adventure, danger, puzzles and more walking dead. Jimmy provides some sidekick humor to lighten the mood.

Arutha returns with the antidote and saves Anita. Jimmy continues his campaign to become Duke of Krondor. Pug finds the Watchers and agrees to be instructed in magic for a year.

Silverthorn delivered an almost typical quest adventure, focusing on Arutha’s obsessive need to save Anita and Jimmy’s transition from thief to trusted companion and squire to Arutha. Even though Pug only popped in for a few chapters, I am positive his quest will result in further adventures in later novels. Tomas appeared only in a couple of brief cameos, but at least he’s settling in nicely among the elves and fatherhood agrees with him. Princess Caroline, twice bereft of lovers in Magician, sets her sights on Laurie and I see another royal wedding in the near future.

Probably not quite a four star rating, but definitely better than three or three and a half. Stop in at Fantasy Book Club Series group to review discussions of Silverthorn (with a Q&A thread monitored by Raymond E. Feist) from April 2011.

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Book Review: Magician: Master by Feist

Magician: Master (The Riftwar Saga, #2)Magician: Master by Raymond E. Feist

My rating: 4 of 5 stars

The second half of Magician became increasingly dark as I approached the climactic end to the Kelewan-Midkemian Riftwar. I observed definite growth to full maturity between Pug and Tomas, and perhaps that growth from boyhood through young adult into adulthood is what I lament – the rite of passage of most normal young boys, though Pug and Tomas could never be mistaken for normal. While everything seemed wondrous and adventurous in the first half of the novel (also known as Magician: Apprentice), I felt the oppression of circumstances, the collision of events and the machinations of a magician previously thought trustworthy. Not all was dark and gloomy, yet I didn’t walk away from this book thinking it ended on a resoundingly happy note.

A couple of scenes stood out as a bit over-the-top and stretched the envelope of believability: Milamber’s reaction to the Imperial Games and Tomas’ ability to overcome a dead dreaded god-like being with his boyish mental fortitude. And I can’t deny I felt gut-punched by the eleventh-hour betrayal by Macros. (to view spoiler, please highlight this paragraph).

For a debut work, I applaud Raymond Feist for a magnificent tale and the beginning to a well-loved fantasy epic. I’m continuing the Riftwar Saga by reading Silverthorn this month.

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Currently Reading (Apr 2011): The Mill on the Floss by Eliott

The Mill on the Floss by George Eliot

I’m reading this, my third Victorian literature novel, as part of the KC Public Library‘s ‘A Taste of Victorian Literature‘ reading group. I’ll be reading this throughout the month of April 2011 and will join the group at the Plaza Branch on Wednesday, April 27, 2011 at 6:30 p.m. for a lecture and discussion.

The following were provided in handouts from the Kansas City Public Library, emailed to the participants in the reading group.

About the Book:

The title of this novel is a succinct description of both the setting and the chief external conflict: the Dorlcote Mill located on the River Floss, which is operated by the Tulliver family. The business creates conflict within the family as Mr. Tulliver sends his doltish son Tom for schooling (in preparation to run the mill) rather than his bright and bookish daughter Maggie. After a lawsuit threatens to bankrupt him, Mr. Tulliver asks his son to swear an oath of enmity on the family Bible – an oath that soon changes Maggie’s life as well.

The nuanced relationship between Tom and Maggie is the novel’s foremost concern as the siblings unintentionally create a snowballing series of tragedies. Meanwhile, Eliot applies a keen moral sense to all her characters. Few are left unscathed.

The Mill on the Floss presents one of the finest portraits of domestic life in the early Victorian era, offering readers insights into the rituals of meals as well as the procurement and preparation of food. Eliot’s acute eye for village life also manifests in colloquial dialogue.

A true Victorian novel given its time period, The Mill on the Floss is also a distinctly modern novel in that Eliot gives all the characters true minds of their own: psychology trumps plot and narrative convenience and even reader expectation.

About the Author:

George Eliot (1819 – 1880) took up her career as a novelist later than most. Named Mary Ann Evans, she grew up in a modest home and attended school under the influence of an evangelical spinster. She left school as a teenager in order to care for her father, who would be her near constant companion for the next 15 years until his death. During this time, she struggled with her own concept of moral duty as well as religious notions that nearly compelled her to forsake reading for pleasure.

At 35, Eliot fell in love with George Henry Lewes, a married man prevented by Victorian law from obtaining a divorce from his wife despite her infidelity, which produced four children. Rejecting respectability and social custom, Eliot lived with Lewes as his unmarried wife. This happy union proved the catalyst for Eliot to take up the pen.

Eliot published her first novel Adam Bede in 1859, adopting at that time the convention of female authors taking male pseudonyms. Widely hailed by critics and the public alike, only Charles Dickens immediately identified this debut author as an incredibly talented woman. The Mill on the Floss (1860), her second novel, proved part autobiographical in its depiction of a close brother-sister relationship.

Eliot wrote several more important novels: Silas Marner (1861), Romola (1862), Felix Holt (1866), Middlemarch (1871), and Daniel Deronda (1876). She passed away in 1880, two years after Lewes died.

In her time, Eliot was known as the greatest living English novelist. She is praised for her focus on the psychology of her characters as well as the moral force of her fiction and its intelligence. Virginia Woolf would later defend Eliot against disparaging attacks by declaring Middlemarch as “one of the few English novels written for grown-up people.”

Discussion Topics for The Mill on the Floss

  1. Childhood and falling in love are two main themes of Mill on the Floss.  How do the provincial values and customs of St. Ogg’s stunt the main characters’ growth and frustrate their romantic relationships?
  2. Eliot believed that the art of fiction told truths of its own, through invention.  What truths about life does Mill on the Floss get at?  Which of these truths might be considered timeless?
  3. The word “respectable” comes up repeatedly in this novel.  What does it mean, within the context of early Victorian society?
  4. What do we learn in this novel regarding Victorian attitudes towards children?  What role does class play in these attitudes?
  5. Water is the novel’s most important motif or recurring symbol.  How does Eliot use water to foreshadow the plot, to highlight certain themes?  What does water symbolize?
  6. Who is the narrator?  What role does this narrator play?
  7. What is the importance of family in this novel?  In Victorian society at large?

 

Pity the Fool Who Doesn’t Read SF&F

Happy April Fool’s Day!

But I’m not joking about reading, especially fantasy and science fiction.  Here’s a preview of what’s being read at a select few of my GoodReads book clubs and groups:

Beyond Reality’s currently-reading book montage

Beyond Reality 687 members
Welcome to the Beyond Reality SF&F discussion group on GoodReads. In Beyond Reality, each of our me…
 

Books we’re currently reading

Stormed FortressStormed Fortress
by Janny Wurts
Start date: March 24, 2011 

Lord of LightLord of Light
by Roger Zelazny
Start date: April 1, 2011 

Black Sun Rising: The Coldfire...Black Sun Rising: The Coldfire Trilogy #…
by C.S. Friedman
Start date: April 1, 2011
View this group on Goodreads »Share book reviews and ratings with Beyond Reality, and even join a book club on Goodreads.
 

SciFi and Fantasy Book Club’s currently-reading book montage

SciFi and Fantasy Book Club 4588 members
Welcome to the SciFi and Fantasy Book Club!
SciFi Czar: Brad
Fantasy Czar: Cindy

Books we’re currently reading

FoundationFoundation
by Isaac Asimov
Start date: April 1, 2011 

Eon: Dragoneye RebornEon: Dragoneye Reborn
by Alison Goodman
Start date: April 1, 2011

View this group on Goodreads »

Fantasy Book Club’s currently-reading book montage

Fantasy Book Club 2623 members
For lovers of Fantasy, monthly book discussions


Books we’re currently reading

Fantasy Book Club Series’s currently-reading book montage

Fantasy Book Club Series 266 members
Can’t resist the lure of an epic saga full of fantastic creatures, scintillating sorcery, heroic…
 

Books we’re currently reading

Deadhouse GatesDeadhouse Gates
by Steven Erikson
Start date: March 15, 2011


SilverthornSilverthorn
by Raymond E. Feist
Start date: April 1, 2011

Books we plan to read

Memories of IceMemories of Ice
by Steven Erikson
Start date: April 15, 2011


A Darkness at SethanonA Darkness at Sethanon
by Raymond E. Feist
Start date: May 1, 2011

Share book reviews and ratings with Fantasy Book Club Series, and even join a book club on Goodreads.

Not quite as busy as last month, but still lots of good reads I’m looking forward to!

Ciao, Jon

Book Review: The Wise Man’s Fear by Patrick Rothfuss

The Wise Man's Fear (The Kingkiller Chronicle, #2)The Wise Man’s Fear by Patrick Rothfuss
My rating: 5 of 5 stars

4.25 to 4.75 stars

Five stars is a gift, because parts of this ‘story’ frustrated me to no end, though the novel carries a very strong four star rating for me. Yet the hidden gems I found along the winding road this tale took made me laugh, cry, rage, cry some more, laugh some more, and scratch my head in wonder.

Pros: Exceptional story telling (occasionally, sporadically), often lyrical prose, beautiful deep embedded world building beyond the mere descriptive paragraph. I loved the scenes with Master Elodin, Devi, Bast and to some degree with Denna, a character I had little sympathy for in The Name of the Wind.

Cons: When we finally leave the University (a full one-third of the way through the novel), the action and adventure is quashed in a couple of sentences, at least as it respects the actual journey east. All the chapters seem too short to me, but that might be because I tend to read epic fantasy where the length of the chapters can approach one hundred pages or more. And here we are, back at the University again when we reach the end of the second day.

I plan to re-read, in succession, both novels of the Kingkiller Chronicle, later this year. I decided not to re-read The Name of the Wind prior to reading The Wise Man’s Fear and feel now that was probably a mistake. I struggled to remember some of the characters the author referenced in passing in the second novel.

And now the waiting begins, and if history is any indicator, at least a half decade will pass before the past (Kvothe) and present (Kote) converge in the final (or is that ‘next’) Kingkiller Chronicle novel.

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Charlotte Brontë Burns Through the Cool Veil of Jane Eyre

I attended the second of four reading group discussions sponsored by the Kansas City Public Library in the Cohen Center conference room of the Plaza Branch yesterday evening.  As I noted in last month’s blog post, I’m picking up the other three books in the ‘A Taste of Victorian Literature’ during this encore performance.

Table of Contents

Brontë Background
Gothic Elements and Contemporary Criticism (p. 2)
Scandal (p. 3)
Discussion Questions (p. 4)

A Taste of Victorian Literature
A Taste of Victorian Literature

Katie Stover, head of Reader’s Services at the Library, spoke briefly on the focus of the reading group, including a tie-in for next month’s book, The Mill on the Floss by George EliotMelissa Carle, Reference Librarian and Weekend Supervisor for the Plaza Branch, assured the group that several copies awaited them upstairs should they not already have it checked out. Katie then introduced our lecturer, Andrea Broomfield, associate professor of English at JCCC.  An author in her own right, she’s currently working on new book tentatively titled Dining in the Age of Steam.  Katie had one final tidbit for anyone interested in seeing the recently released theatrical version of Jane Eyre, the movie opens at the Cinemark and Glenwood Arts on April 8th.

Charlotte Brontë (1850 chalk)
Charlotte Brontë (1850 chalk)

Andrea began her lecture by referencing a couple of handouts we received via e-mail (and hard copy if you forgot to print), including a brief biography of Charlotte Brontë and a few paragraphs about the impact of Jane Eyre after publication in 1847.

Andrea touched on just a few key points with respect to Charlotte’s childhood. Her mother died while Charlotte was still young, leaving her father with five children (one son and four daughters) to raise on his own.  As a direct result, his children had free reign over his library, not unheard for a son, but scandalous in the early Victorian Era (1820s & 1830s) to let his daughters read a gentleman’s library.  The children  especially loved the works of Byron. The Brontë children nurtured their imagination by creating the fantastic realms of Gondol (articles and poems written by Anne and Emily) and Angria (Byronic stories written by Branwell and Charlotte).  They also created their own periodical similar to Blackwood’s Magazine.

A painting of the three Brontë sisters; from left to right, Anne, Emily, and Charlotte. In the center of portrait is the shadow of Branwell Brontë, the artist, who painted himself out.
A painting of the three Brontë sisters; from left to right, Anne, Emily, and Charlotte. In the center of portrait is the shadow of Branwell Brontë, the artist, who painted himself out.

Her two sisters, Elizabeth and Maria, attended the Clergy Daughters School, but the deplorable conditions of the school caused Patrick Bronte, their father,  to withdraw Anne, Emily and Charlotte from the school.   Elizabeth and Maria contracted and died of tuberculous, exacerbated by the terrible conditions extant at the school.

While Patrick was in Manchester having cataract surgery, Charlotte wrote Jane Eyre, using the pseudonym Currer Bell, bucking the trend of the ‘normal’ three volume serial novel most common then.

The Bell Brothers (Anne wrote under the name Acton Bell and Emily wrote as Ellis Bell) had a stellar year in 1847, for in addition to Jane Eyre, both Wuthering Heights and Agnes Grey were published.  Andrea admitted Charlotte Brontë to be her favorite Victorian Era author, favoring Vilette as her most mature effort.  The following couple of years left Charlotte bereft of all but her father, as first Emily and Branwell died, in 1848, followed by Anne in 1849.

Andrea’s next couple of presentation slides included modern day photographs places important in Charlotte’s life and which she used symbolically throughout Jane Eyre.  The Brontës lived in West Yorkshire in the Haworth Parsonage.

Haworth Parsonage in Yorkshire
Haworth Parsonage in Yorkshire
Wycoller Hall as the model for Ferndean Manor
Wycoller Hall as the model for Ferndean Manor
Norton Conyers as the model for Thornfield
Norton Conyers as the model for Thornfield
Pennine Way
Pennine Way
Gawthorpe Hall for the Ingram manor
Gawthorpe Hall for the Ingram manor

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Plaza Branch Jane Eyre Lecture and Discussion

A Taste of Victorian Literature
A Taste of Victorian Literature

In less than thirty minutes, I’ll retire downstairs to the lecture and discussion of Jane Eyre sponsored by the Kansas City Public LibraryA Taste of Victorian Literature‘ reading group.   So stayed tuned for another long recap blog post similar to last month’s post entitled ‘Toasting (or Roasting) Fanny Price.’

Book Review: It Can’t Happen Here by Lewis

It Can't Happen Here (Signet Classics)It Can’t Happen Here by Sinclair Lewis
My rating: 3 of 5 stars

Written in the 30s, during the depths of the Depression, before World War II, this dystopian classic paints a grim picture of America’s fall into it’s own flavor of fascism. Some of his assertions stretched my belief nearly to the breaking point, most notable being the seemingly easy evaporation of two of our three branches of government after the League of Forgotten Men rise in power and seize the executive branch.

The novel follows the life of Jessup Doremus, an elderly (nearly retirement age) editor of a small town Vermont newspaper, uniquely positioned to lead us down the slippery slope of disappearing civil liberties and rising paranoia among the citizenry. The evils promulgated by petty near-thugs upon strangers, neighbors, friends and family … almost indiscriminately … all as an exercise in absolute power (as far as I could tell).

Not a comforting read, except for a brief glimpse of hope at the end. I can understand the shock value it would have had when it was published. I’m glad I read it, and even more glad none of it has proved prophetic for America … yet.

I read this novel as one of the suggested readings for my local library’s adult winter reading program called ‘Altered States’ and blogged about my reading journey.

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Book Review: The Man in the High Castle by PKD

The Man in the High CastleThe Man in the High Castle by Philip K. Dick
My rating: 4 of 5 stars

3.5 – 3.75 stars

I struggled a bit with PKD’s prose, which at times staggered about like an alcoholic or drug addict and/or a mentally ill person rambling about their innermost incoherent thoughts. But an occasional brilliance burst through the befuddlement to guide me back if I strayed too far off course.

Written almost twenty years after World War II, PKD presents us with an America divided up as spoils of war between the Japanese Empire and Nazi Germany. He portrayed a believable view of American life under two fascist regimes. I surprised myself by feeling empathy not only for the victimized Americans (including Jews hunted to extinction, Blacks reduced to slaves, and other insidious persecutions of non-Aryan races), but also the Japanese, some of whom begin to see the writing on the wall.

I couldn’t help but compare the Oracle (aka as the I Ching or Book of Changes) to the Cosmological Interventionists represented by two out-of-control orphaned Blitz children in Willis’ Blackout/All Clear. It’s a stretch, but the conclusion of both novels left me with the same intriguing warm fuzzy feeling.

I read this novel as one of the suggested readings for my local library’s adult winter reading program called ‘Altered States’ and blogged about my reading journey.

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