On Amazon Acquiring GoodReads

Updates

October 25, 2013:  Great article in Salon from a couple of days ago on How Amazon and GoodReads Could Lose Their Best Readers.

September 20, 2013: Amazon has started deleting reviews for other members and also deleting shelves, without notice or warning. Visit this announcement thread for more particulars:  Important Note Regarding Reviews

And here I’ve quoted one of the best of the posted feedback messages from Wendy Darling:

I’ve been thinking about what I want to say since this announcement went live, and I almost said nothing–because at this point, it seems obvious this Feedback thread, like countless others before it, is pretty futile anyway.

I want to be clear: my opinion and decisions are a matter of principle rather than a matter of being directly affected. I’ve been pretty careful about my shelving and still stand by every single review I’ve written, and as much as I don’t care for the idea of policing shelves, I respect GoodReads’ right to change its TOS.

But like most people, I am absolutely appalled that user content has been removed without warning. What was the purpose of that? Why was it so dangerous to allow people the opportunity to edit their shelves and reviews? What would you think if you heard that Twitter was removing user content without notice, or policing your lists? Why aren’t private shelves an option? And most importantly, who was this gesture meant to impress or appease?

To make matters worse, to hear the language that was used in the email that Steph Sinclair and others got chiding them for operating in a way that wasn’t “in the spirit of GoodReads” is infuriating. The amount of time, thought, and dollars that goes into writing reviews and maintaining a blog is enormous, and all those people do it purely because of their generosity of spirit. To use that kind of language is a huge slap in the face, and diminishes the tremendous amount of good that those reviewers do for books with the positive reviews and features they produce. I am astonished that unpaid reviewers are constantly expected to take the feelings of professionals into account, when those who point the fingers at them don’t take 5 minutes to do simple research into the type of reviewers they are. I suspect that this move comes on the heels of several ill-conceived, agenda-driven, poorly-researched posts from Nathan Bransford and Salon and Huffington Post, but it seems that no one also weighed in the backpedaling that was done after those posts were published.

Both positive and negative reviews are an important part of a site like this (it’s the reason why so many of us have trusted its reviews until now) and I wish authors would understand that this site as a goldmine of market research. There is a huge opportunity here to learn about reader habits, discover strengths and weaknesses in their work, etc. But because a handful of vindictive authors are unable to separate their work from their egos, and because they fail to understand how to engage appropriately in the marketplace, GoodReads has become an increasingly hostile place. As the lines between personal space and community hangout and author advertisements continue to blur, the message that GoodReads is sending with this action is that this is NOT a safe haven for readers at all. It has taken ages for them to acknowledge any inappropriate behavior from its authors, and there is still a disingenuous lack of sync between what users are told and what is presented to authors, as evidenced by the screenshots we’ve seen in the last day or so. I have never expected GoodReads to come out strongly in defense of specific, and extremely damaging, attacks on their users by the authors that they court for advertising. But I did expect that they would minimally keep their promise to protect the rights of their users.

There are an alarming number of friends jumping ship to other sites. For myself, I’m not sure what I’m going to do yet. But I do know that I’m probably going to start treating this site merely as a cataloging tool. I’ve always interacted here as part of the community, not as a place to serve my own agenda or ego, but I am not comfortable with investing so much energy into a place that feels it can yank my reviews and shelves without notice. (I mean, obviously any website can. But should it?)

Right now, I’m considering a number of options, including:

— only posting a star rating and brief reaction, with a link to my blog for the full review
— unchecking the “feed to GR affiliates” option
— no longer making any librarian edits that don’t specifically benefit me
— taking my profile private

What’s ironic is that when this announcement went live, I was in the middle of planning a post acknowledging a milestone that I passed on GoodReads a couple of weeks ago. I have never put much stock into numbers and rankings, but 10,000 friends and followers did feel like something to celebrate. But all that seems pretty meaningless now.

Last note: I’m very glad Carolyn Crane and a handful of other authors have spoken up. There are a ton of notable authors who have voiced their negative reactions to this new policy on Twitter, but I hope they will also step forward to chime in here, where it counts. There are a lot of users eyeing an exit, because positive sunshiney conversations are only of interest to people who don’t actually read, or who don’t engage in analytical thought–and the loss of people who post critical reviews also means you’re losing a countless number of positive reviews as well.

As reviewer rights erode and as the trend of stifling conversations continues, it seems that GoodReads is becoming a place that is no longer a safe or trustworthy place for readers. And that makes me sadder than I could possibly ever express.

As a result of her post and the rest of the feedback to GoodReads most recent shocking actions, I’ve created an account at BookLikes and have started the import process of my books, reviews and shelves.  I’m keeping my fingers crossed that the import completes successfully.

August 6, 2013: Today, I received the following e-mail from GoodReads:

Hello Jon,

Several of your reviews were recently flagged as self-promotional in nature by other Goodreads members. As these reviews seemed to be solely an advertisement for your blog (and did not discuss the book), they have been removed from the site. If you’re trying to promote your site, we would suggest reviewing the books on Goodreads itself and simply linking to your blog at the end of each review.

Sincerely,

The Goodreads Team

(sent via the support@goodreads.com e-mail address)

I replied promptly from my Android smartphone:

Be honest. You removed them because I called Goodreads on the carpet about being bought by Amazon. And now you’ve proved my point by removing my reviews.

Thanks for providing more proof of Amazon’s continuing nefarious acts.

Jon Moss

I checked my review count on my profile at GoodReads.  This morning I had 355 reviews.  After I received this e-mail I had 266.  Nearly ninety (90) reviews deleted.  Most of them contained a single paragraph as follows:

Due to the acquisition of GoodReads by Amazon on March 28, 2013 and my existing and continuing boycott of all things Amazon, the review I wrote after reading this book has been relocated to my blog and can be found in its entirety by following this link:

I shouldn’t be shocked, but I am.  I shouldn’t be hurt, but I am.  My intention wasn’t to self-promote my blog.  I’m just a small fish in the huge ocean of the internet bloghood.  My intention was to make people aware that Amazon is not your friend.

July 26, 2013:  After a nearly six week hiatus, Otis showed back up in the GoodReads Feedback group commenting on integration between Amazon Library and GoodReads.  He’s still trying to reassure the ‘readers’ at GoodReads that’s there’s nothing untoward happening behind the green curtain.

June 11, 2013: Not entirely related to GoodReads, but definitely about Amazon, as reported by Publishers Weekly from the Apple Trial: Rupert Murdoch Wanted to ‘Screw’ Amazon

June 9, 2013: Belated Update (originally published by Otis on May 22, 2013):  An FAQ on Amazon’s Acquisition of GoodReads.  And, as I suspected, my data at GR is now Amazons:

Will Amazon have access to my Goodreads data?

Yes, as a subsidiary of Amazon, we can share data as appropriate under our privacy policies. How does this impact you? Primarily in two ways:

* Amazon and Goodreads could use the data to look for ways to offer you a better service on one or both sites. For example, by providing you with personalized advertising based on your reading tastes (similar to the advertising we already have on Goodreads).
* Amazon and Goodreads could analyze the data to see what kinds of new features or services might be useful on one or both sites.

So my campaign to sabotage my data is vindicated.  I will continue to move reviews here to my blog and unrate books at GoodReads.  My apologies to my GoodReads friends and followers.  In the case where I decide not to review a book, I will leave my GoodReads rating initially after I finish reading it, but will eventually unrate the book to continue corrupting the data Amazon collects from me via GoodReads.

I have no plans to leave GoodReads, as I enjoy the groups too much and the interactions with reading friends.

May 9, 2013: While not specifically related to the Amazon buyout of GoodReads, this morning’s article in the Huffington Post reveals continuing nefarious deeds of the etailer behemoth.

A link to the Huffington Post article: “Amazon Warehouse Workers Sue Over Security Checkpoint Waits

And should the above link ever break, I printed out the article to a PDF available here:  “Amazon Warehouse Workers Sue Over Security Checkpoint Waits

April 19, 2013: Not that I’m an Apple fan (aside from the apples that I can each autumn), but apparently Amazon nixed any hopes of seeing GoodReads integration in iBooks with their deal:  Amazon-GoodReads deal quashed Apple iBookstore plans

April 15, 2013: Another interesting article coming out of the London Book Fair: Is Amazon Good or Bad for the Publishing Industry?

April 14, 2013: I find it interesting that Otis  has been mostly absent from the GoodReads site since making the announcement late in March.  To see what I mean, check out this link to his GoodReads account’s comment activity in the GoodReads Feedback group.  I’m going to hold him personally responsible for the last sentence in this comment:

Breaks my heart to see BunWat leave.

I don’t know her well enough to know her reasons, but I will just guess she isn’t a fan of Amazon. While I don’t expect everyone to love this decision, I believe it will be a very good thing for the vast majority of readers, and think Goodreads has a very bright future in front of it. I’ve had the pleasure of meeting the people at Amazon, and have found them to be good, bookish people that are excited about creating a better future for readers and authors.

One thing I am sure of: I expect to prove to you all over the coming months and years that this will be good for Goodreads, for readers, and for authors.

— Otis Chandler, CEO, Goodreads (emphasis added).

Only time will tell.

April 12, 2013:  Just read this article via a Publishers Weekly Tweet:  Booksellers Urge Court Not to Toss Amazon E-Book Suit

April 9, 2013: Decided I should probably link to this post from my snub stubs at GoodReads, since this post is no longer sticky and will quickly get buried in the tide of migrating reviews from GoodReads.

April 2, 2013: Changed this post from a sticky post.  For an explanation of my star ratings, please visit my ‘Two Stars or Not Two Stars‘ blog post.

April 1, 2013:  In addition to relocating my reviews here from GoodReads and leaving behind a stub link, I am stripping the ratings from my GoodReads reviews as well.  I’m manually entering the rating in the review with the link, but clearing the actual star rating from the GoodReads database.

I apologize to my author friends.  GoodReads was the only place I rated and reviewed books.  Now the only place I will do that is here, in this Amazon-free zone.

To make it easier to find the book reviews and ratings, I modified my menu (see above) to include a Ratings area.  The Reviews menu has been expanded to include Fiction and Non-Fiction items under the Books submenu.

March 31, 2013:  I wanted to pass along a good article I just read published at Salon entitled ‘Amazon buys GoodReads: We’re all just data now.’

∞∞∞

Original Post from March 30, 2013:

GoodReadsPlusAmazonYesterday, GoodReads announced ‘exciting news‘ to it’s community of volunteer librarians, reviewers and readers.  Otis and Elizabeth and the rest of the GoodReads team had agreed to joining the Amazon family.  Of course, they were excited.  They sold out the only vibrant independent reliable source of book reviews and recommendations for cold hard cash in their pockets (rumor has it the sum could be over one billion dollars).

I heard the news late in the day and immediately felt sick to my stomach, disappointed and angry.  After reading comments on the blog post referenced above and other threads in many discussion groups on GoodReads, I was not alone in my reaction.

I make no secret of the fact that I boycott all things Amazon.  I have similar feelings about other modern-day monopolies (like Microsoft and Adobe).  I have not purchased a book or an ebook from Amazon in years.  I own a Nook and an Android smartphone.  I support open source software initiatives and net neutrality.

The first thing I did last night when I had calmed down enough to see clearly and think coherent thoughts was to export all my book data and reviews from GoodReads.

The second thing I did was to think about what to do with the hundreds of reviews I’ve written over the last five years and posted at GoodReads.  Some of these reviews were re-published here on this blog.  I do not want Amazon to profit from my time and effort in crafting those reviews.

So, to thwart the juggernaut, however infinitesimally, I plan to remove each review from GoodReads and repost it here.  One of the first hurdles I will need to overcome is finding a different non-Amazon source for book covers.  I will leave behind a short explanation where my GoodReads review previously resided together with a link to the blog post housing the transported review.

What sort of an explanation should I leave behind?  I’ve been mulling over a few sentences while driving home and during dinner.  Let me try a few of them out here:

Due to the acquisition of GoodReads by Amazon on March 28, 2013 and my existing and continuing boycott of all things Amazon, the review I wrote after reading this book has been relocated to my blog and can be found in its entirety by following this link …

After Amazon devoured GoodReads on March 28, 2013, this review fled the postapocalyptic and dystpoian writing on the wall and sought sanctuary at my blog’s refuge …

Fear not!  I bring you tidings of great joy.  My review escaped the clutches of Amazon and can be found, safe and sound, at my blog …

I haven’t made up my mind about continuing my activities within the many groups I participate in and moderate.  GoodReads was such an integral part of my life.  It helped me rediscover my love of reading, fostered my nascent writing hobby and nudged me to branch out as a fledgling blogger.  I have met and made many wonderful new friends who share a love for similar flavors of books and broadened my reading horizons.  It also reunited me with old reading buddies from high school and former employers. Five years ago, I relied on the ‘New Fiction’ shelf at my local library to find something to read.  Now, I have hundreds of books lined up in my reading queue.  I just don’t know if I can walk away from my reading friends and GoodReads.

I am resolved, however, to never again write a review on GoodReads.  I may not even rate books there anymore.  I will have to play that by ear and see what happens over the new few weeks.

So don’t be surprised if you start to see a lot more activity on my blog in the coming days.  Reviews will sprout here like spring flowers in May after April showers.

WoT’s Up, Tor?

My favorite fantasy publishing imprint, Tor, caused a stir earlier this week by announcing the demise of DRM in early July 2012 in their entire list of ebooks (printed under Tor, Forge, Orb, Starscape, and Tor Teen imprints).    I’m only slightly disappointed that I have to wait until July.  I’m torn, though.  I had planned to purchase, next week in fact, the second book in the Wheel of Time series, The Great Hunt, from Barnes & Noble for my Nook Color, to facilitate my role as a discussion leader at the GoodReads Fantasy Book Club Series group.   We are wrapping up our discussion of the first book, The Eye of the World, these last few days of April.   I have until Monday to make up my mind.  Do I re-purchase the DRM’ed ebook through B&N for my Nook (for convenience sake)? Or do I crack open the hardcover languishing on my shelf (and deal with the weight and lighting issues)?

Prior to the ebook emancipation proclamation, Tor released the color sketch created by Darrell K. Sweet, who passed away before completing the cover art for the final Wheel of Time novel, A Memory of Light, due out early in 2013.

Click on this color sketch to see a tribute to Wheel of Time cover artist Darrell K. Sweet at Tor's website.

But the real icing on the WoT cake came today, when Tor made an excerpt of the Prologue from A Memory of Light available:  Click here to read it.

Watching the Hugos … Live and in Color … on My Nook

I have been so busy with home remodeling projects I completely forgot about the Hugo Awards ceremony Saturday night.  Not that I could have attended in person, since I was safely in Kansas and not attending WorldCon in Reno, Nevada.  After a long day of window and swatch shopping and incremental steps forward on a couple of renovation projects, I stumbled into bed.  Before nodding off, my nightly routine includes a quick check of four mobile sites via my Nook Color – my e-mail, RSS news feed reader, Facebook and finally Twitter (and sometimes the weather if it’s thunderstorm season).   Several people I follow (authors mostly) were simultaneously posting about the Hugo Award ceremony, occurring at that exact moment and some of my bookworm Twitter friends posted they were watching the ceremony live via the WorldCom Ustream video feed.  I clicked on the link in one of the Tweets and connected to the live video stream.

And for the next ninety minutes (and into Sunday morning), I watched somewhat choppy video (probably my fault since my master bedroom is as far away as I can get from my wireless access point without leaving the house) and listened to the presenters (Robert Silverberg was hilarious!) and acceptance speeches (some of these folks need professional help or less partying and more sleep) from my Nook Color.  If you’d asked me twenty years ago when I embarked on a career in Information Technology if I’d be watching something like the Hugos (or any live event) on a small color touchscreen tablet, I would have probably snorted in disbelief.  Such technological wonders came from the minds of Star Trek writers.  Oh me of little faith.

Below are the results from my four favorite categories:

Best Novel (Presented by TimPowers)

I read 3/5 of the Best Novel nominees (click on the title links to peruse my reviews).  I’m glad Connie won (again … this is her eleventh Hugo) for her massive and excellent novel.

Winner: Blackout/All Clear by Connie Willis (Ballantine Spectra)
Cryoburn by Lois McMaster Bujold (Baen)
The Dervish House by Ian McDonald (Gollancz; Pyr)
Feed by Mira Grant (Orbit)
The Hundred Thousand Kingdoms by N.K. Jemisin (Orbit)

Best Short Story (Presented by David D. Levine)

Each of the title links below take you to a discussion thread at the Beyond Reality GoodReads group that also includes a link to the story.

Winner: “For Want of a Nail” by Mary Robinette Kowal (Asimov’s, September 2010)
Amaryllis” by Carrie Vaughn (Lightspeed, June 2010)
Ponies” by Kij Johnson (Tor.com, November 17, 2010)
The Things” by Peter Watts (Clarkesworld, January 2010)

Best Dramatic Presentation, Long Form (Presented by Bill Willingham)

The only film I did not watch this past year was “Scott Pilgrim vs. the World” which I’d never heard of until I saw the trailer via the awards ceremony stream.  I’m satisfied with the winner, as Inception definitely made me think and wonder for days after watching it.

Winner: Inception, written and directed by Christopher Nolan (Warner)
Harry Potter and the Deathly Hallows: Part 1, screenplay by Steve Kloves; directed by David Yates (Warner)
How to Train Your Dragon, screenplay by William Davies, Dean DeBlois & Chris Sanders; directed by Dean DeBlois & Chris Sanders (DreamWorks)
Scott Pilgrim vs. the World, screenplay by Michael Bacall & Edgar Wright; directed by Edgar Wright (Universal)
Toy Story 3, screenplay by Michael Arndt; story by John Lasseter, Andrew Stanton & Lee Unkrich; directed by Lee Unkrich (Pixar/Disney)

Best Dramatic Presentation, Short Form (Presented by George R. R. Martin)

I watched all the Doctor Who episodes listed, and would have had a devilsh time deciding which was the best.  I’m partial to the ‘A Christmas Carol’ episode from last December,  but the other two were equally well done.  I apologize for the crude language below, it’s the actual title of the work.

Winner: Doctor Who: “The Pandorica Opens/The Big Bang,” written by Steven Moffat; directed by Toby Haynes (BBC Wales)
Doctor Who: “A Christmas Carol,” written by Steven Moffat; directed by Toby Haynes (BBC Wales)
Doctor Who: “Vincent and the Doctor,” written by Richard Curtis; directed by Jonny Campbell (BBC Wales)
Fuck Me, Ray Bradbury, written by Rachel Bloom; directed by Paul Briganti
The Lost Thing, written by Shaun Tan; directed by Andrew Ruhemann and Shaun Tan (Passion Pictures)

 

And for the true math geeks (myself include) who want the nitty-gritty number-crunchiness stats, here’s a link to the Hugo voting overview.

Update on Librarian Boycott of HC

Publishers Weekly Soapbox tweeted an update this morning on the Librarian Boycott of HarperCollins, which I blogged about last week in a couple of posts.

Some highlights from the article include:

Libraries are one of the last true commons in modern life, celebrating and championing the right to read and freedom of access to information. Stewardship of the written record is integral to our mission. Libraries don’t have a financial stake in the publishing business so much as society has a cultural stake in the future of libraries.

Currently, librarians rely on the First Sale doctrine—which makes it legal to circulate materials we purchase and manage—along with our trustworthiness. We enforce copyright laws as much as we can, teaching our patrons about fair use and piracy.

Another troubling aspect of the HarperCollins message is the attempt to prevent resource sharing, which is a core value for librarians.

Beyond Planned Obsolescence

Brief blog followup to yesterday’s post about publisher HarperCollins decision to force public libraries to re-license ebooks after just 26 checkouts.   A fellow GoodReader posted a link to this open letter from the Pioneer Library System of Norman, Oklahoma to HarperCollins in our discussion topic ‘Ashes of eBooks for Libraries‘ .

Excerpts from the open letter:

Because the publisher assumes digital resources never deteriorate, they have set an arbitrary limit to the number of times an electronic resource can be accessed. Not planned obsolescence. Forced obsolescence. (emphasis added)

Despite statements to the New York Times that  HarperCollins hopes this move will, “ensure a presence in public libraries and the communities they serve for years to come,” it may, in fact, do just the opposite(emphasis added)

If you would like to contact HarperCollins directly they have set up an email address at Library.eBook@HARPERCOLLINS.com

Another link posted by a different GoodReader offered some background as to why the publishing industry executives are reacting so poorly to change:  Twelve Common Misconceptions about Book Publishing.

And what’s the next step beyond forced obsolescence at public libraries?  How many times will you be allowed to read your ebook before it is removed or held hostage on your virtual bookshelf until you negotiate a ransom by re-buying the content?

21st Century Book Burning aka Control of Knowledge by Conglomerates

A dark day … Tuesday, March 8th … Mardi Gras … the day before Lent begins … Ash Wednesday … the ashes of our electronic books on the shelves of our libraries.  Just a few of my grim thoughts after reading this article tweeted by Publishers Weekly this morning:

Librarian’s Launch Boycott in Battle Over eBooks

He died and made HarperCollins the “god” who decided how many times I can checkout a library ebook?  Without my local library, and the interlibrary loan system, I would never have read some classic publications, long out of print.  As a young adult and later as a harried young parent, my local library saved my sanity by providing endless diversions.  Now, decades later, and more secure financially, I happily support my favorite authors by purchasing the expensive first edition hardcovers. I buy books as gifts for friends and family.  Those same authors came to be loved by me through … my local library.

Mixed Media Meltdown

I’ve been following a debate which crops up quite frequently in reading circles:  Why can’t I resell my ebook?  Both readers and authors have joined in the discussion threads at these GoodReads SciFi & Fantasy Book Club topics:  e-Book Piracy and   Do you care if you own a work?

One of the best links posted happened to refer to Scalzi’s Whatever blog post a year ago entitled Why in Fact Publishing Will Not Go Away Anytime Soon: A Deeply Slanted Play in Three Acts.  Well worth the time and will definitely have you smiling, if not laughing out loud before you reach the stunning conclusion.

All of this got me thinking about the media used over the centuries to store our content.

Pictograms, Horseshoe Canyon, Canyonlands National Park, Utah
Pictograms, Horseshoe Canyon, Canyonlands National Park, Utah
Egyptian Hieroglyphs
Egyptian Hieroglyphs

Cuneiform script by an expert scribe, 26th century BC

Cuneiform script by an expert scribe 26th century BC

Papyrus

Papyrus
Printing press from 1811
Printing press from 1811

Edison Home Phonograph, Suitcase-Modell

Edison Home Phonograph, Suitcase-Model

19th century studio camera, with bellows for focusing

19th century studio camera, with bellows for focusing
"Super 8" 8 mm films
"Super 8" 8 mm films
A typical LP, showing its center label
A typical LP, showing its center label
Philips Cassetten-Recorder EL 3302 (1968)
Philips Cassetten-Recorder EL 3302 (1968)
Size comparison between a Betamax cassette (top) and a VHS cassette (bottom).
Beta v. VHS
Floppy Drives
Floppy Drives
The readable surface of a Compact Disc includes a spiral track wound tightly enough to cause light to diffract into a full visible spectrum
Readable surface of a Compact Disc
Six hard disk drives with cases opened showing platters and heads; 8, 5.25, 3.5, 2.5, 1.8 and 1 inch disk diameters are represented.
Six hard disk drives with cases opened showing platters and heads; 8, 5.25, 3.5, 2.5, 1.8 and 1 inch disk diameters are represented.
Cloud Computing
Cloud Computing

Out of all of the media types (and obviously many that I’ve left out like the ever popular 8-track tape), which ones can you read without the benefit of proprietary equipment or electricity?

Imagine yourself a visitor to Earth in the far future, to an Earth either abandoned (because we migrated to other planets or galaxies by discovering FTL) or lifeless (because we didn’t see the writing on the wall and continued our parasitic existence to extinction).   What format has the best chance of being understood and surviving to be reviewed?  In our mad dash to digitize everything, for convenience and experience, what do we leave for posterity?

I have boxes of albums from the 70s and 80s in my basement I can no longer listen to because I don’t own a turntable.  I even have a few 8-tracks and Beta tapes holding content hostage.  I have crates of recorded VHS tapes of movies, television shows and family gatherings, which I could possibly view, if my ancient VCR still functions and the magnetic tape hasn’t degraded or been demagnetized.   I have a project back-burnered for the moment to review several thousand slides taken by my father, his brother, his father and my aunt in the hopes of converting them to a digital photograph format.

I fear there will be no Rosetta Stone to help our alien visitors nor a still functioning DVD reader or Internet to Google the translation.  Our binary epitaph of bits and bytes may languish forever locked in silence and darkness while the humble book shines forth as a beacon of historical hope.

Higher Expectations for a First Edition Hardcover

No, I’m not talking about the content composed by the author (in this case Robert V.S. Redick) but rather the publisher or the publishing industry (in this case Del Rey Ballantine Books an imprint of Random House) lack of polish or finish on this first edition hardcover of The Ruling Sea:

Uneven/untrimmed Book Signatures on First Edition Hardcover
Uneven/untrimmed Book Signatures on First Edition Hardcover

Do you see the unevenness of the pages?  This is one of the final steps when you bind a book.  You trim the edges of the book signatures so they are flush and even (makes for easy fanning of a book with your thumb).  I’ve even done this process myself (with my dad’s help as he had the razor sharp chisel and vice in his basement workshop).  I’m appalled when I see a first edition hardcover in this state.

Is this becoming more common from the publishing industry?  When I see a book like the one displayed above, I think it’s a reprint by a low-budget or discount publisher, not a first edition!  Sheesh!

Perhaps I’m just overly sensitive.   I would have hesitated to buy this book for this very reason.  As it stands, I’m only borrowing it from a library, but still.  Come on!

First Edition Hardcover via Interlibrary Loan of the Ruling Sea
First Edition Hardcover via Interlibrary Loan of the Ruling Sea